Italian Artist Who Painted The Ceiling Of The Sistine Chapel

The painter convinced the pope to accept instead a more complex painting on the chapel s ceiling to which the pope obliged.

Italian artist who painted the ceiling of the sistine chapel. Michelangelo s painting of the sistine chapel ceiling. Commissioned by pope julius ii michelangelo worked on the vault of the chapel. The sistine chapel ceiling italian.

It took four year to paint the frescoes and complete the work from 1508 to 1512. The work made by michelangelo changed the course of western art. The chapel was built in 1479 under the direction of pope sixtus iv who gave it his name sistine derives from sixtus.

The work took approximately four years to complete 1508 1512 in 1505 michelangelo was invited back to rome by the newly elected pope julius ii. Initially the ceiling was decorated with gold stars on a blue background by the artist umbrian artist pier matteo d amelia. Michelangelo sistine chapel ceiling 1508 1512 fresco.

The chapel s decoration was completed by michelangelo and was commissioned by pope julius ii. The ceiling is that of the sistine chapel the large papal chapel built within the vatican between 1477 and 1480 by pope sixtus iv for whom the chapel is named. Michelangelo was directed by the pope to paint the chapel s ceiling who initially wished to have the twelve apostles painted.

Had michelangelo in the manner of fresco painters of the day modified his finished fresco with secco dry paint after the plaster had dried. The artist painted all the frescoes from the ceiling of the sistine chapel. The ceiling of the sistine chapel the sistine chapel had great symbolic meaning for the papacy as the chief consecrated space in the vatican used for great ceremonies such as electing and inaugurating new popes.

It already contained distinguished wall paintings and michelangelo was asked to add works for the relatively unimportant ceiling. The debate centred on one major issue. Fresco painters customarily did this as a means of correcting mistakes refining their works and applying pigments that could not tolerate contact with water.